![]() His second album for the label, “Second Winter,” produced another colorful rave in Rolling Stone, with Lester Bangs calling it “an unrelenting floodtide of throbbing, burning sound, a work of folk art which captures the tradition of blues and rock from the prehistoric Delta bottleneck sundown moans to the white-hot metal pyrotechnics of today and tomorrow.” He formed his first band at the age of 11, made his first record at 15 and became the protégé of a Zydeco bluesman named Clarence “Bon Ton” Garlow.Īlso read: Jeff Hanneman, Slayer Guitarist, Dead at 49īy the time he was 24 Winter had become a legend in Texas music circles, and his national profile was boosted immeasurably by a Rolling Stone article about the music scene in the state that called him “the hottest item outside of Janis Joplin.” It went on to describe Winter this way: “If you can imagine a 130-pound cross-eyed albino bluesman with long fleecy hair playing some of the gutsiest fluid blues guitar you have ever heard, then enter Johnny Winter.”Ī bidding war ensued, with Columbia Records signing Winter. He played clarinet as a child - but after a dentist told him the instrument was giving him a bad overbite, he shifted to ukulele and then guitar. Winter, ranked by Rolling Stone as the 63rd greatest guitarist of all time, was born in Beaumont, Texas in 1944. Evidence suggests his death was medically related. See photos: Hollywood’s Notable Deaths of 2014Īccording a police spokeswoman Reuters spoke to, a prosecutor has ordered an autopsy because the cause of death is not clear, but there was no indication of third-party involvement. “An official statement with more details shall be issued at the appropriate time.” “His wife, family and bandmates are all saddened by the loss of their loved one and one of the world’s finest guitarists,” a brief statement on his Facebook read. As a bonus, the liner notes in this package were written by none other than fellow guitar slinger Warren Haynes.Johnny Winter, a legendary blues guitarist, was found dead in his hotel in Zurich, Switzerland on Wednesday. 7 isn't the best in the bunch, but it warrants collecting for Winter fans because of the scarcity of some of these tracks. ![]() It's too bad the other guitarist remains uncredited. There's also a rare version of "Kiss Tomorrow Goodbye," with acoustic and electric guitars, that is one of Winter's most soulfully sung performances. "Shame, Shame, Shame," with all of its echo effects, begins as a guitar solo that takes the old I-IV-V form and shifts it into overdrive. The sound quality is terrific and the solo breaks are scorching. The reading of Lonnie Brooks' "Don't Take Advantage of Me" is alone worth the price of admission, especially since Winter hadn't recorded it before. ![]() The sound issues are similar to those found on other volumes in the series with the exception of "Leland, Mississippi Blues," the closing cut on the set - it sounds like an audience recording, though again the performance is stellar. That said, most of this material is well worth hearing. ![]() ![]() Another giveaway is the bass playing, which is mostly "slap style," offering the funkier side of electric blues. Based on the players - bassists Jon Paris and Jeff Ganz, and drummer Tom Compton - this material was most likely recorded during the late '80s and early '90s. This one contains none - just musician credits. As Johnny Winter and Friday Music continue their Live Bootleg Series - now in its seventh volume - they get sloppier with source documentation. ![]()
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